Inscriptions Unbound: Edward Said's Librar
Feb
17
to May 15

Inscriptions Unbound: Edward Said's Librar

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Date: Now - May 15, 2025 
Location: 
Butler Library, 3rd Floor Exhibit Space

This exhibit, curated by Joy Al-Nemri (MESAAS Alumna) features inscriptions from approximately 50 books selected from Edward Said’s book collections, which are housed in the Edward Said Reading Room (Butler Library), the Middle East Institute, and his former New York City apartment. The exhibit provides a sampling of the numerous inscriptions that friends, students, family members, and admirers left in the opening pages of the books that they gifted to Edward Said. These heartfelt messages reveal Said’s profound and far-reaching influence, weaving a narrative of deep and broad intellectual and personal connections across peoples, disciplines, genres, times, and geographies. The inscriptions bear testimony to Said’s intellectual brilliance, but also to the deep empathy, courage, and vision that defined his lifelong advocacy for justice, human rights, and intellectual freedom. 

If non-Columbia affiliates are interested in viewing the exhibit, please email Kaoukab Chebaro kc3287@columbia.edu.

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‘Where Is Abbas Kiarostami?’: A Conversation with Hamid Dabashi
Mar
12
6:30 PM18:30

‘Where Is Abbas Kiarostami?’: A Conversation with Hamid Dabashi

Date: Wednesday, March 12
Time:
6:30 PM - 8:00 PM
Location:
The Katharina Otto-Bernstein Screening Room

Please join us for a special event celebrating Where Is Abbas Kiarostami?, the latest book by renowned scholar Hamid Dabashi, exploring the legacy of one of cinema’s greatest visionaries.

Featuring:

Hamid Dabashi, Author and Hagop Kevorkian Professor of Iranian Studies and Comparative Literature
Jane Gaines, Professor, Film and Media Studies, Columbia University; Professor Emerita of English & Literature, Duke University
Hisham Matar, Pulitzer Prize-Winning Author and Professor of Professional Practice in Comparative Literature and Translation at Barnard College
Moderated by Ramin Bahrani, Oscar-nominated filmmaker and Associate Professor of Professional Practice, Film

Sponsored by:

Columbia University School of the Arts
Film Program
Film and Media Studies Program
Center for Comparative Media
Department of Middle Eastern, South Asian, and African Studies (MESAAS)

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Zionism and Its Critics
Mar
13
9:00 AM09:00

Zionism and Its Critics

Date: Thursday, March 12 
Time:
09:00 AM - 6:30 PM 
Location:
Faculty House, 64 Morningside Drive

This conference will visit key historical and contemporary debates on Zionism and Judaism, including several declarations on the subject of anti-semitism over the past decade: among them the IHRA Working Definition, the Jerusalem Declaration, and the Nexus Document. The conference will focus on The Jewish debate over Zionism, on writing of a history of Zionism, violence and non-violence, and decolonization.

Convened by Mahmood Mamdani. Co-sponsored by the Middle East Institute and Iffriqiya.

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From Abdul To Leila
Mar
27
6:30 PM18:30

From Abdul To Leila

Date: Thursday, March 27
Time:
6:30 PM - 8:00 PM
Location:
East Gallery, Maison Française, Buell Hall

Leila Albayaty, 2024, 92 min. In Arabic, English and French with English Subtitles
US Première. Screening introduced by Emi Schlosser

After suffering amnesia from an accident, Leila, a young French artist of Iraqi origin, reconstructs her history by reconnecting with her family and delving into her roots. She learns Arabic, interprets the poems of her politically exiled Iraqi father, and immerses herself in the history of the Gulf War in Iraq. An inner journey, an identity quest sublimated by her songs, bridging Europe and the Middle East.

Watch trailer here

Leila Albayaty is a French-Iraqi multidisciplinary artist known for her work as a film director, composer, singer, actress, and scriptwriter. Born in Auvergne, France, to a French mother and an Iraqi father, she pursued studies in violin, opera, architecture, and cinema before forging her own path as a self-taught artist.
Her debut short film, Vu (2009), received a Special Mention from the Jury at the Berlinale and was showcased at numerous international film festivals. She followed with her first feature film, Berlin Telegram (2012), which premiered at Indielisboa and won the TV5 Award for Best Francophone Film. In 2015, she released Face B, a hybrid documentary-fiction that premiered at the Berlinale Forum Expanded. Her latest film, From Abdul to Leila (2024), is a feature documentary that delves into the intersection of Western and Arab cultures through the lens of her French-Iraqi family history. Currently, Albayaty divides her time between Belgium, France, Germany, and Egypt, continuously exploring themes of cultural identity and personal narrative across her diverse body of work.

This event is part of a short series of documentary films on the theme of "In the Middle: Women Documenting Struggles" produced by Maison Française and co-sponsored by the Center for Palestine Studies, MESAAS and Middle East Institute at Columbia University. With additional support by the Institute of African Studies. Join us on March 6, Sudan, Remember Us (Soudan, souviens-toi) by Hind Meddeb, 2024, followed by a Q&A with director Hind Meddeb and Thomas Dodman.

The Columbia campus is currently open only to Columbia-affiliated guests (with a CUID). Outside guests who register to attend a public event will be allowed to enter campus for the event if we provide their names and emails to Public Safety the day before. Please be sure to register for any events at least 48 hours ahead of time and you will get an email from caladminnoreply@columbia.edu with a unique QR code giving you access to the campus. Don't forget to bring your ID with you.

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The Dawn is Too Far: Stories of Iranian-American Life
Apr
24
5:30 PM17:30

The Dawn is Too Far: Stories of Iranian-American Life

Date: Thursday, April 24 
Time:
5:30 pm - 7:30 pm 
Location:
Columbia University, 807 Schermerhorn Hall, 1190 Amsterdam Avenue

Join us for a screening of the "The Dawn is Too Far: Stories of Iranian-American Life" by Persis Karim. "The Dawn is Too Far: Stories of Iranian-American Life" is a compelling documentary that highlights the untold stories of eight Iranian Americans in the San Francisco Bay Area, weaving together personal narratives from both Iran and the United States. Co-directed by Persis Karim, the film offers a poetic and multifaceted perspective that challenges the predominance of negative media representations and shares the longer arc of history of US-Iran relations. The film also explores how the people in the film have been shaped by this unique region while also showcasing their important artistic and political contributions to the Bay Area. The film also features rare archival footage, that brings new depth to our understanding of this community.

Persis Karim, Director of the Center for Iranian Diaspora Studies and Co-Director and Executive Producer of the film will share the film and engage in audience discussion after the presentation. This is her first film. 

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Not Your Usual Resistance
Mar
7
12:00 PM12:00

Not Your Usual Resistance

Date: Friday, March 7 
Time:
12:00 PM - 2:00 PM 
Location:
The Heyman Center, Second Floor Common Room

Habibe Jafarian and the translator of her work, Salar Abdoh, will discuss the advent of the contemporary personal essay form in Iran, its relation to the larger direction of her work as an editor and biographer, and the politics of its translation. This hybrid event will be conducted in conversation with Professor Mana Kia and focus on how Jafarian’s work articulates the experiences and perspectives of a professional woman in Iran that are often in contrast to usual representations in English.

This event is part of the Against the Grain: Gender and the Fraught Politics of Translation in Persophone World series. These spring events are themed, “In Their Own Words: Iranian Lives and the Personal Essay.” Learn more about the series here.

Speakers

Considered one of Iran’s preeminent essayists, Habibe Jafarian’s latest collection is Rescue From an Artificial Death. She has worked as senior editor and consultant at such journals as Hamshahri Javan, Mostanad, Dastan, 24, and Nadastan Magazine. Her seminal biographical works on such luminaries as the fabled Shia cleric, Imam Musa Sadr, the late renowned war photographer, Kaveh Golestan, and one of the legendary commanders of the Iran-Iraq war, Mostafa Chamran, are winners of numerous prizes. Her work has also been published widely in various journals globally, including at The Millions, Guernica Magazine, Adi, and Words Without Borders, and her essay, “How to be a Woman in Tehran,” translated into English, was named as one of the best 100 essays of 2015. Currently she is contributing writer and consultant to Andishe Pooya, a magazine of politics, art and culture. Born in Mashhad, she lives and works in Tehran.

Salar Abdoh was born in Iran and splits his time between Tehran and New York City. He is the editor of Tehran Noir and author of the several novels, most recently Out of Mesopotamia, which was a New York Times Book Review Editors’ Choice and one of Publishers Weekly’s best books of 2020, and A Nearby Country Called Love, just released in paperback by Penguin and called “a complex portrait of interpersonal relationships in contemporary Iran” by the New York Times and “brutally poignant” by the Washington Post. A prolific essayist and translator as well, Abdoh teaches in the MFA program at the City College of New York.

Mana Kia was born in Iran and is Associate Professor in the Department of Middle Eastern, South Asian, and African Studies at Columbia University. She is an interdisciplinary scholar of the connected histories of early modern Persianate Asia with a focus on the circulation of people, texts, practices, and ideas just before the dominance of modern European colonial power. She is the author of Persianate Selves: Memories of Place and Origin before Nationalism (Stanford, 2020), which was translated into Persian last year. She is a 2024-2025 Heyman Center Fellow.

Please email disability@columbia.edu to request disability accommodations. Advance notice is necessary to arrange for some accessibility needs. This event will be recorded. By being present, you consent to the SOF/Heyman using such video for promotional purposes.

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Sudan, Remember Us (Soudan, souviens-toi)
Mar
6
6:30 PM18:30

Sudan, Remember Us (Soudan, souviens-toi)

Date: Thursday, March 6
Time:
6:30 PM - 9:00 PM
Location:
East Gallery, Maison Française, Buell Hall

Hind Meddeb, 2024, 76 min. In Arabic and English with English Subtitles. Screening followed by a Q&A with director Hind Meddeb and Thomas Dodman

"Following four young activists during the Sudanese revolution of 2019, director Hind Meddeb conjures a narrative about collective hope and possible seismic change. Armed with just their words, ideas, poetry, and art, the subjects of this documentary inspire themselves and the audience with their perseverance and clarity of their just demands. In a time when Sudan is facing almost 2 years of violent war, famine, and the indifference of the rest of the world, this film acts as a beacon of hope and confirmation that the people of Sudan will persist and insist on a bright future." ©Murtada Elfadl, Full article in Variety.

Watch the trailer here

Hind Meddeb is a Paris-based filmmaker and journalist who grew up between France, Morocco, and Tunisia. She has directed the documentaries De Casa au paradis (2008), Electro Chaabi (2013), Tunisia Clash (2016), and Paris Stalingrad, which premiered at TIFF 2019. Sudan, Remember Us (2024) is her latest film.

Thomas Dodman is Associate Professor of French and Director of the History & Literature Program at Columbia University.

This event is part of a short series of documentary films on the theme of "In the Middle: Women Documenting Struggles" produced by Maison Française and co-sponsored by the Center for Palestine Studies, MESAAS and Middle East Institute at Columbia University. With additional support by the Institute of African Studies.
Join us on February 14 for Bye Bye Tiberias by Lina Soualem, followed by a Q&A with Director Lina Soualem and Thomas Dodman. And on March 27, the U.S. Premiere of From Abdul To Leila by Leila Albayaty.

The Columbia campus is currently open only to Columbia-affiliated guests (with a CUID). Outside guests who register to attend a public event will be allowed to enter campus for the event if we provide their names and emails to Public Safety the day before. Please be sure to register for any events at least 48 hours ahead of time and you will get an email from caladminnoreply@columbia.edu with a unique QR code giving you access to the campus. Don't forget to bring your ID with you.

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Country of Words: A Transnational Atlas for Palestinian Literature
Mar
5
7:00 PM19:00

Country of Words: A Transnational Atlas for Palestinian Literature

Date: Wednesday, March 5
Time:
7:00 PM - 9:00 PM
Location:
Faculty House, 64 Morningside Drive, New York, NY

Country of Words: A Transnational Atlas for Palestinian Literature is a digital-born project that retraces and remaps the global story of Palestinian literature in the 20th century, starting from the Arab world and going through Europe, North America, and Latin America. Sitting at the intersection of literary history, periodical studies, and digital humanities, Country of Words creates a digitally networked and multilocational literary history—a literary atlas enhanced. The virtual realm acts as the meeting place for the data and narrative fragments of this literature-in-motion, bringing together porous, interrupted, disconnected, and discontinuous fragments into an elastic, interconnected, and entangled literary history.

SPEAKER
Refqa Abu-Remaileh is Associate Professor of Modern Arabic Literature and Film at the Freie Universität Berlin, Germany. As Principal Investigator, she led the European Research Council project PalREAD (2018–2023). She is author of Country of Words: A Transnational Atlas for Palestinian Literature (Stanford University Press, 2023) and creator of the Arabic-language podcast Balad min Kalam: Conversations on Palestinian Literature available on Spotify and Apple Podcasts.

Open to CUID holders. Members of the public can attend if they register 48 hours in advance of the event by emailing rma2152@columbia.edu.

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The Lure of the East: A Curator’s Fascinating Journey
Mar
4
6:00 PM18:00

The Lure of the East: A Curator’s Fascinating Journey

Date: Tuesday, March 4 
Time:
6:00 pm - 7:30 pm | wine & cheese reception follows 
Location:
Stronach Center, 8th floor, Schermerhorn Hall, Art History Department

Dr. Marilyn Jenkins-Madina in conversation with Professor Lila Abu-Lughod, Columbia University. 

Dr. Marilyn Jenkins-Madina is Curator Emerita of the Department of Islamic Art at the Metropolitan Museum of Art. During the forty years she served as a curator in that department, she played a key role in helping to create the museum’s first major (ten-gallery) installation of Islamic art as well as adding to the collection and organizing special exhibitions. With an MA in Art History from Columbia University and a PhD from NYU’s Institute of Fine Arts, she has lectured widely, published over 30 articles, and written or co-authored seven books, including the classic Islamic Art and Architecture 650- 1250 with Richard Ettinghausen and Oleg Grabar. Her memoir, The Lure of the East: A Curator’s Fascinating Journey, was published by Rodin Books in 2024.

This event is co-sponsored by the Art History Department, the Middle East Institute, the Center for the Study of Muslim Societies, and Middle Eastern, South Asian, and African Studies (MESAAS). 

Due to current campus access levels, all outside guests must register in advance to access Columbia's Morningside campus where the event will be held. If you do not have a Columbia University ID, please be sure to pre-register no later than Friday, February 28 at 3pm. 

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Singapore’s Islamic Pasts: Alexanders in an Island Below the Winds
Feb
28
4:10 PM16:10

Singapore’s Islamic Pasts: Alexanders in an Island Below the Winds

Date: Friday, February 28
Time:
4:10 PM
Location:
Knox Hall, Room 208

Join Teren Sevea for a discussion of his essay, Singapore’s Islamic Pasts: Alexanders in an Island Below the Wind. The essay explores the fascinating history of Singapore’s first Islamic king, Iskandar Sahib, tracing his legacy as a descendant of the pre-Qur’anic prophet and king Iskandar Dhu al-Qarnayn. Through Malay court chronicles, oral histories, and Sufi traditions, Sevea uncovers how Islamic communities have preserved and reclaimed their histories amidst marginalization. This engaging work connects the rich cultural and spiritual heritage of Singapore’s Islamic past with the voices of chroniclers, storytellers, and everyday community members.

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Records of Presence: Palestine in Artistic Practices
Feb
15
11:00 AM11:00

Records of Presence: Palestine in Artistic Practices

Date: Saturday, February 15
Time:
11:00 AM
Location:
Maison Française, Buell Hall, 515 W 116th St

Organized by The Platform, a Columbia University-based initiative dedicated to promoting discussion and reflection on contemporary global issues. Co-sponsored by The Middle East Institute. 

This series focuses on Palestine and the arts, aiming to historicize the enduring legacies of poetry, literature, music, art, and theatre, while also showcasing new works that address themes of displacement and settler-colonial violence. Focusing on Columbia’s Morningside campus, Harlem, and the broader New York community, the series invites audiences to engage with artistic representations of Palestine—not as a counter to war imagery but as a lens to understand why art is a threat to empire. Second, the series itself is a way of reclaiming space - to speak about Palestine. Even as we celebrate the ceasefire and scenes of return in Gaza, we are sobered by the prospects of rebuilding and lasting peace. We offer this platform as a way of convening around these ideas, and healing. 

"Records of Presence: Palestine in Artistic Practice" is second in this series, focusing on music and the visual arts. The first, "Remembering Refaat: Palestine and the Poetic Imagination" was focused on poetry and storytelling.

Convened by: Mahmood Mamdani and Shayoni Mitra 
Photo Credit: Rania Matar

If you are registering different individuals, please make sure to use a unique email address for each person. Registration closes 24 hours in advance. For non-CUID holders, please check your emails for QR codes sent by Columbia Public Safety, which you will need to enter campus. Space is first come first served, per capacity.

Program

11:00 AM - 12:30 PM: Portraits Against Ruin: Photographing Place
Rania Matar, 2018 Guggenheim Fellow, photographer, Beirut/Boston
Dean Majd, photographer, Brooklyn

12:30 PM - 1:30 PM: Encountering Culture: The Palestinian State of Mind
Haifa Bint Kadi, mosaicist, curator, archivist, New York
Ridikuluz

1:30 PM - 2:00 PM: Lunch

2:00 PM - 3:00 PM: Workshop: Memory Matters
Layal Srouji, artist, memory worker, Brooklyn
Jenna Hamed, artist and artworker, faculty Parsons School of Design, Brooklyn

3:00 PM - 4:30 PM: Folk Modern: Palestinian Bands in Practice
Firas Zreik, Kanun player, music educator, Queens, New York
Batiniyah, folk musicians, New York

4:30 PM - 5:00 PM: tea

5:00 PM - 6:30 PM : Archives of Storytelling: The Materiality of Popular Music
Sama’an Ashrawi, writer, filmmaker, music producer, Houston
Mo’min Swaitat, Majazz Project, filmmaker, archivist, music label, London

6:30 PM - 7:30 PM: Dinner

7:30 PM - 10:00 PM: Celebrating ceasefire and returns – Radical joy listening circle and dance party
Dj Momin, Majazz Project, London
DJ Sama’an, Houston

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Bye Bye Tiberias (Bye bye Tibériade)
Feb
14
6:30 PM18:30

Bye Bye Tiberias (Bye bye Tibériade)

Date: Friday, February 14
Time:
6:30 PM - 8:30 PM
Location:
East Gallery, Maison Française, Buell Hall

Join French-Palestinian-Algerian filmmaker and actress Lina Soualem for a screening of her film Bye Bye Tiberias. Set between past and present, Bye Bye Tiberias weaves together contemporary imagery, family footage from the 1990s, and historical archives to portray four generations of courageous Palestinian women. Through their enduring bonds, they preserve their stories and legacy, despite exile, dispossession, and heartbreak.

This event is part of In the Middle: Women Documenting Arab Struggles, a short series exploring identity, memory, displacement, and resilience through powerful narratives that connect Francophone and Arab perspectives.

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The Science of Music with Mohammad Sadegh Ansari: Knowledge Production in Medieval Baghdad and Beyond
Feb
13
6:00 PM18:00

The Science of Music with Mohammad Sadegh Ansari: Knowledge Production in Medieval Baghdad and Beyond

Date: Thursday, February 13
Time:
6:00 PM
Location:
Knox Hall, Room 208

Join Mohammad Sadegh Ansari to discuss his book, The Science of Music: Knowledge Production in Medieval Baghdad and Beyond. In this innovative work, Ansari explores how the medieval Islamic intellectual tradition conceptualized and produced scientific knowledge, offering a unique perspective that bridges musicology and intellectual history. He examines how music, categorized as a branch of the mathematical sciences alongside arithmetic, geometry, and astronomy, was intricately linked to medicine and astrology as part of a cosmological system of knowledge. Through this lens, the book raises thought-provoking questions about the impact of defining music as a 'science' rather than an 'art' and what it reveals about medieval Islamic civilizations' understanding of truth and the universe.

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Remembering Refaat: Palestine & the Poectic Imagination
Dec
9
3:00 PM15:00

Remembering Refaat: Palestine & the Poectic Imagination

Date: Monday, December 9 
Time:
3:00 PM - 8:15 PM
Location:
Maison Française, Buell Hall, 515 W 116th St

Organized by The Platform, a Columbia University-based initiative dedicated to promoting discussion and reflection on contemporary global issues. Co-sponsored by The Middle East Institute.

This series focuses on Palestine and the arts, aiming to historicize the enduring legacies of poetry, literature, music, art, and theatre, while also showcasing new works that address themes of displacement and settler-colonial violence. Focusing on Columbia’s Morningside campus, Harlem, and the broader New York community, the series invites audiences to engage with artistic representations of Palestine—not as a counter to war imagery but as a lens to understand why art is a threat to empire. Second, the series itself is a way of reclaiming space - to speak about Palestine. After a year of living under the Palestinian exception, where rules were changed, cops were called, students were suspended and arrested, we offer this platform as a way of healing. 

Convened by: Mahmood Mamdani and Shayoni Mitra 
Poster Art: Layal Srouji 

Program

3:00-4:15: Writing and Teaching in Gaza: Dr. Refaat’s Legacy
Moderated by Thea Abu ElHaj
Jehad Abusalim
Yousef Aljamal
Eman Bashir

4:15-4:45:Coffee and Readings
Reading by CU, BC students
Coffee by Qawwah House

4:45-6:00: Black Palestine and Transnational Solidarities
Moderated by Frank Guridy
Marc Lamont Hill
Maytha Alhassen
Ali Mir

6:00-7:00: Dinner service by Abu Ras

7:00-8:15: Writing Against Disappearance: Contemporary Writers
Moderated by Bahia Munem
Yahya Ashour
Hind Shoufani
Jumana Manna

Participants’ bios

Jehad Abusalim - Jehad Abusalim, originally from Deir el-Balah in the Gaza Strip, is the Executive Director of the Institute for Palestine Studies-USA in Washington, DC. He co-edited Light in Gaza: Writings Born of Fire (Haymarket Books, 2022). His work has been featured in The Washington Post, Al-Jazeera, The Nation, and more, and he has appeared on platforms like Al-Jazeera, CNN, and Democracy Now!

Maytha Alhassen - Maytha Alhassen is a Writer/PRoducer, journalist, professor and a pop Culture collaborative senior fellow  (authoring the HAQQ AND HOLLYWOOD: ILLUMINATING 100 YEARS OF MUSLIM TROPES AND HOW TO TRANSFORM THEM (2018) report) Who appeared as a CO-HOST on the Young Turks’ “main hour” + as a guest co-host and digital producer on Al Jazeera English’s “The Stream.” Alhassen is a Co-Executive producer, writer, and social impact advisor for Hulu’s award-winning series “Ramy,” a stanford lecturer in comparative studies in race and ethnicity, a 2021-2024 havard religion and public life fellow in Art + Pop Culture, executive Producer of the docu-series “American Muslims: A history revealed,”  a pillars muslim narrative change fellow, a USC 2022-23 Civic Media Fellow, host of new educational web series "Key terms” (part of “Office hours” series), Co-Host of Amazon Music and salt audio meditation podcast BECOME, and a former Ted resident (2017).

Yousef Aljamal - Yousef Aljamal is the Gaza coordinator at the Palestine Activism Program at the American Friends Service Committee (AFSC). Aljamal is a refugee from Al-Nusierat refugee camp in the Gaza Strip. He recently received his PhD at the Middle East Institute at Sakarya University in Turkey.

Yahya Ashour - Yahya Ashour | يحيى عاشور is an exiled Gazan poet and awarded author, born on April 22, 1998, based in the US. He is an honorary fellow at the University of Iowa and the author of the e-book “A Gaza of Siege & Genocide” (Mizna, 2024). Ashour's portfolio also includes poetry collections, children's books in Arabic, and contributions to global anthologies and journals, including MQR and ArabLit. He has received multiple scholarships and fellowships and has read poetry at over 50 U.S. organizations and universities, including Princeton, Stanford, UPenn, and UCLA. His poetry has been translated into several languages, including Spanish, French, Japanese, and Bengali. Ashour studied Sociology & Psychology and worked as a creative writing mentor.

Eman Bashir - Eman is a writer, researcher, and former English teacher from Gaza. She is a mother of three and a published author whose work has appeared in Vice Magazine, Electronic Intifada, The Washington Post, and Vittles. Currently pursuing her academic interests, she focuses on Palestinian narratives, cinematography, and the intersections of identity and resistance in visual storytelling.

Thea Abu ElHaj - Thea Renda Abu El-Haj, Professor of Education at Barnard College, Columbia University, is an anthropologist of education. Abu El-Haj’s research explores questions about belonging, rights, citizenship, and education raised by globalization, transnational migration, and conflict. Funded by the Spencer Foundation, her current research entitled, “Disrupting Dispossession: Teaching Palestine in Exile, 1970-1990” is an oral history project with Palestinian teachers in Lebanon. The project explores Palestinian teachers’ roles as everyday political and civic actors in the anti-colonial movement. She was principal investigator of a US national interview study exploring the civic identities and civic practices of youth from Muslim immigrant communities also funded by the Spencer Foundation. Abu El-Haj is past-President of the Council on Anthropology and Education of the American Anthropological Association. Her second book, Unsettled Belonging: Educating Palestinian American Youth after 9/11, is an ethnographic account of young Palestinian Americans grappling with questions of belonging and citizenship in the wake of September 11, 2001.

Frank Guridy - Frank Andre Guridy is the Dr. Kenneth and Kareitha Forde Professor of African American and African Diaspora Studies. He is also Professor of History and the Executive Director of the Eric H. Holder Initiative for Civil and Political Rights at Columbia. He is an award-winning historian whose recent research has focused on sport history, urban history, and the history of American social movements.

Mahmood Mamdani - Mahmood Mamdani is the Herbert Lehman Professor of Government. He was also professor and executive director of Makerere Institute of Social Research (2010-2022) in Kampala, where he established an interdisciplinary doctoral program in Social Studies. He received his PhD from Harvard University in 1974 and specializes in the study of colonialism, anti-colonialism and decolonisation. His works explore the intersection between politics and culture, a comparative study of colonialism since 1452, the history of civil war and genocide in Africa, the Cold War and the War on Terror, the history and theory of human rights, and the politics of knowledge production.

Jumana Manna - Jumana Manna is a visual artist and filmmaker. Her work explores how power is articulated, focusing on the body, land and materiality in relation to colonial inheritances and histories of place. Through sculpture, filmmaking, and occasional writing, Manna deals with the paradoxes of preservation practices, particularly within the fields of architecture, agriculture and law. Her practice considers the tension between the modernist traditions of categorisation and conservation and the unruliness of ruination, life and its regeneration. Jumana was raised in Jerusalem and lives in Berlin.

Marc Lamont Hill - Dr. Marc Lamont Hill is one of the leading intellectual voices in the country. He is currently the host of BET News, The Grio, Al Jazeera UpFront, and the Coffee & Books podcast. An award-winning journalist, Dr. Hill has received numerous prestigious awards from the National Association of Black Journalists, GLAAD, and the International Academy of Digital Arts and Sciences. Dr. Hill is a Presidential Professor of Anthropology and Urban Education at the City University of New York Graduate Center. Prior to that, he held positions at Morehouse College, Temple University, and Columbia University.

Shayoni Mitra - Shayoni Mitra is a senior lecturer at the Department of Theatre, Barnard College, Columbia University. She teaches classes on performance studies, feminist theory, political performance and postcolonial drama. She has written extensively on student protests, and her writings appear in various journals and collected volumes. She is currently director of the South Asia Institute at Columbia University, and director of the Barbara Horowitz Scholars of Distinction program at Barnard College. Mitra is a member of the Delhi-based street theatre group Jana Natya Manch. For academic year 2023-24 she convened, with colleagues and students, weekly readings of the Palestine Poetry Collective. 

Ali Mir - Ali Mir is a professor of management at William Paterson University. He is the co-author of “Anthems of Resistance” and a writer and lyricist for Indian films.

Bahia Munem - Bahia M. Munem’s teaching and research interests examine race and ethnicity as they intersect with gender, sexuality, class, nation, religion, and diasporas. Her scholarship bridges the fields of Latinx, Latin American, and Middle East Studies by examining forced transnational migration and gendered and racialized modes of belonging in the Americas.

Hind Shoufani - Hind Shoufani is a Palestinian filmmaker & poet, living in Brooklyn. For over 25 years, she’s worked across the Arab world as a documentary director, producer & editor. She has an MFA in film from NYU.Hind’s poems & essays have been published internationally & her first poetry collection in the US with Diode Editions is forthcoming in 2025.

Layal Srouji - Layal Srouji is a Palestinian artist, student, and memory worker based in New York City. She studies in the School of Arts at Columbia University, where her creative practice and academic work explore themes of resistance, material culture, and the politics of archives. Layal's projects often draw from Palestinian histories and global textiles, weaving together storytelling, advocacy, and visual art.

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Black Knights: Arabic Epic and the Making of Medieval Race
Dec
6
11:00 AM11:00

Black Knights: Arabic Epic and the Making of Medieval Race

Date: Friday, December 6 
Time:
11:00 AM - 12:30 PM
Location:
Online

Join Rachel Schine, Assistant Professor of Arabic & History at the University of Maryland, and Kristina Richardson, Professor of History and Middle Eastern and South Asian Languages and Cultures at the University of Virginia, for a discussion on Schine's book Black Knights. In this work, she explores how the medieval Arabic-speaking world developed distinct racial concepts, shaped by transregional exchanges from the Sahara to the Indian Ocean. She examines how racialized blackness became central to envisioning an inclusive Muslim world, drawing insights from Islamic epics, legal, medical, and religious texts to illustrate the fluidity of racial ideas in premodern Islamic societies.

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An Experimental Sonic Performance: Reinterpreting a Persianate Elegy
Dec
5
7:00 PM19:00

An Experimental Sonic Performance: Reinterpreting a Persianate Elegy

Date: Thursday, December 5 
Time:
7 PM - 9 PM
Location:
Brief Histories, 115 Bowery, New York

An experimental sonic performance with:

Amitis Motevalli:Multimedia artist who explores the intersections of class, queerness and gender in grassroots context.

Sarah Khatami: Singer and writer of R&B, pop and Persian music.

Hesam Abedini: A musician and educator who creates works that move along a post-intercultural path.

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The Message and the Messengers
Dec
3
6:30 PM18:30

The Message and the Messengers

Date: Tuesday, December 3, 2024
Time:
Doors open at 6PM | 6:30PM Event Start
Location:
Wood Auditorium, Avery Hall

This is event is at capacity. Unfortunately, registration is closed.

Join us for a conversation between Ta-Nehisi Coates and Rashid Khalidi on Tuesday, December 3, 2024 at 6:30PM. Welcome by Nadia Abu El-Haj.


Speakers
Ta-Nehisi Coates is an award-winning author and journalist. His books include The Water Dancer and The Message. He is currently a contributing editor at Vanity Fair and the Sterling Brown Endowed Chair in the English department at Howard University.

Rashid Khalidi is Edward Said Professor Emeritus of Arab Studies at Columbia University. He has taught at the Lebanese University, the American University of Beirut, and the University of Chicago, was co-editor of the Journal of Palestine Studies and served as President of the Middle East Studies Association. His most recent book is The Hundred Years’ War on Palestine: A History of Settler-Colonialism and Resistance, 1917-2017.

Welcome
Nadia Abu El-Haj is Ann Whitney Olin Professor in the Departments of Anthropology at Barnard College and Columbia University and Co-Director of the Center for Palestine Studies.

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Islamic History Workshop: Must the Imām be designated by his predecessor? The early development of the concept of waṣiyya in Shīʿī Islam
Dec
2
4:10 PM16:10

Islamic History Workshop: Must the Imām be designated by his predecessor? The early development of the concept of waṣiyya in Shīʿī Islam

Date: Monday, December 2 
Time:
4:10 PM - 6:00 PM
Location:
Knox Hall, Room 208

Join James Weaver, Professor at the University of Zurich in the Middle Eastern Studies Department, for a conversation on the historical and theological underpinnings of the doctrine of Waṣiyya (designation) and its role in early Shīʿī thought. To attend this event, please register below to receive the pre-circulated paper.

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Taqīyah and Tawriyah: Dissimulation and the Art of Ambiguity
Nov
22
4:10 PM16:10

Taqīyah and Tawriyah: Dissimulation and the Art of Ambiguity

Date: Friday, November 22
Time:
4:10 PM - 6:00 PM
Location:
Knox Hall, Room 208

Join Devin J. Stewart, Professor of Arabic and Islamic Studies at Emory University’s MESAS Department, for a conversation on Taqīyah and Tawriyah: Dissimulation and the Art of Ambiguity. To attend this event, please register below to receive the pre-circulated paper.

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Can Pre-Islamic Architecture be Islamic Architecture? The Rock-Cut Tombs at Hegra
Nov
19
6:00 PM18:00

Can Pre-Islamic Architecture be Islamic Architecture? The Rock-Cut Tombs at Hegra

Date: Tuesday, November 19

Time: 6:10 PM - 8:00 PM

Location: 612 Schermerhorn

From an early date, Islamic writers connected the Qur’anic Thamud with Hegra, an abandoned Nabatean- Roman site in the Northern Hijaz now known, by reason of that association, as Mada’in Salih. The site itself thus forms a kind of bridge across the historical rupture separating Islam from Jahiliyya. What exactly happens to such a site when it becomes “Islamic?” This talk explores how the idea of constructing Islam works as a monumentalizing lens that changes the way we look at pre-Islamic architecture by blurring some features even as it makes others stand out in sharp relief. At Hegra, it will be argued, the effect of this reinterpretation produces rupture where it might have been possible to see continuity in a way that turns Nabatean ruins into an infrastructure for producing Islam.

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Masterclass with Iranian Artist in Residence Amitis Motevalli
Nov
8
11:00 AM11:00

Masterclass with Iranian Artist in Residence Amitis Motevalli

Date: Friday, November 8

Time: 11:00 AM - 2:00 PM

Location: Knox Hall, Room 208

Join Amitis Motevalli for a wishmaking and gratitude offering, in honor of the ancestor/martyr Hind Rajab. A secular sofreh to recognize the efforts of those at Columbia supporting Palestinians, to give thanks and make wishes for futures.

Although they date back to ancient Persia, Sofreh’ Nazri are generally Shia ritual gatherings for women. It’s often prompted when someone is making a prayer for a particular outcome and bringing together her community to bring collective energy.

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Gender and the Fraught Politics of Translation event series: A Nearby Country Called Love with Salar Abdoh
Oct
28
5:30 PM17:30

Gender and the Fraught Politics of Translation event series: A Nearby Country Called Love with Salar Abdoh

Date: Monday, October 28

Time: 5:30 PM - 7:00 PM

Location: Knox Hall, Room 509

Join us for a discussion with novelist and translator Salar Abdoh on how English-language works and translations shape our understanding of Persophone cultures, particularly in Iran and Afghanistan. Abdoh will explore the complexities of representing gendered life worlds and the politics of translation, as well as emerging literary genres from West and Central Asia.

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Reconsidering the PostColonial Symposium
Oct
25
9:00 AM09:00

Reconsidering the PostColonial Symposium

Date: Friday, October 25
Time: 9:00 AM - 6:15 PM
Location: Online 


Since the early inception of postcolonial inquiry in the late 1970s, with its focus on another way of interrogating colonial history, its rhetoric of empire, and its harrowing practices, many new theoretical explorations have been unfolding in response to a rise in aggressive forms of colonialism. The relative departure from Cold War polarization, and new strategies of proxy wars, along with the devastating impact on societies (environment, lands and people), have recently been impelling scholars to revisit the postcolonial, its early underpinnings, and engagements. This Symposium participates in a rigorous interrogation of specific omissions so as to generate a revised perspective on postcolonialism. The growing role of social media, the presence of photography, televised war reports, and the surge in narratives, canticles, and poetry, provide a set of realities that was not as visible in the late 1970s and 1980s. These realities pose a challenge to the monopoly of corporate media and to the unitary discourse that is the trademark of the rhetoric of war machines.

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The Zanzibar revolution and the diasporic origins of Oman's national bourgeoisie
Oct
24
6:10 PM18:10

The Zanzibar revolution and the diasporic origins of Oman's national bourgeoisie

Date: Thursday, October 24

Time: 6:10 PM - 8:00 PM

Location: Knox Hall, Room 208

Join Nathaniel Mathews, Associate Professor of Africana Studies at SUNY-Binghamton, for a discussion on his first book Zanzibar Was a Country. The book explores Zanzibar's fight for independence, the experiences of its postcolonial diasporas, and the intertwined histories of Zanzibar and Oman.

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Palestine & Lebanon After October 7: Examining the Social and Spatial Impacts of a Regional War
Oct
23
12:00 PM12:00

Palestine & Lebanon After October 7: Examining the Social and Spatial Impacts of a Regional War

Date: Wednesday, October 23

Time: 12:00 PM - 1:30 PM

Location: Zoom Webinar (register below)

Join the Middle East Institute and the Center for Palestine Studies at Columbia University and the Center for Middle East Studies at Brown University for an online conversation examining the social and spatial impacts of the regional war in Palestine and Lebanon. The panelists, Lara Deeb, Elias Muhanna, and Ali H. Musleh will examine how the current violence intensifies the existing challenges that communities were already facing, as a result of past wars, conflict and systemic corruption. They will focus particularly on how communities and neighborhoods, across religious, ethnic, gender and class lines, are affected by the escalation of violence and displacement. What is the role of diasporic and global networks in advocating and supporting local communities? What role does the academy have in responding to the effects of violence in these impacted societies?

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Thinking Politically After Gaza
Oct
19
2:30 PM14:30

Thinking Politically After Gaza

Date: Saturday, October 19
Time: 2:30 PM - 6:00 PM
Location: Faculty House, 64 Morningside Drive, 2nd Floor. Please enter at 411 w. 116th street (Wien Gate).

This event will bring together scholars from Palestine, Israel, South Africa, Rwanda, and Ireland to engage with two key questions: what kind of political future can best end the extreme violence that has so far marked Palestine/Israel? What can we learn from the experiences of South Africa, Rwanda, and Ireland, lands that in the recent past were plagued by extreme violence, including genocide? 

Registration is mandatory due to space limitations as well as restricted campus access. Only registered guests will be admitted. 

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Farida Benylazid: A Door to Moroccan Cinema
Oct
16
6:30 PM18:30

Farida Benylazid: A Door to Moroccan Cinema

Date: Wednesday, October 16

Time: 6:30 PM - 9:00 PM

Location: East Gallery, Maison Française, Buell Hall

Please join us for a screening of Moroccan filmmaker Farida Benylazid’s newly-restored 1989 film A Door to the Sky, the first feature film directed by a Moroccan woman. The screening will be followed by a conversation with the director led by film scholar Florence Martin and Columbia Professor Madeleine Dobie.

A Door to the Sky imagines an emigrant’s return to Morocco, where she creates, in her family home, a zaouiya – a site devoted to spiritual study and worship – specifically for women. The film explores themes of exile and return as well as questions of gender and religion, probing the intersections of feminism and Muslim faith.

Farida Benylazid is a pioneering Moroccan film producer, director, journalist and film critic whose career in cinema has spanned close to five  decades. Her body of work explores questions of gender and identity in Morocco since independence.

A specialist of Maghrebi women’s cinema, Professor Florence Martin teaches at Goucher College. Her latest book is Farida Benlyazid and Moroccan Cinema (Palggrave MacMillan, 2024).

Madeleine Dobie is Professor of French & Comparative Literature at Columbia University and a specialist of Maghrebi literature and culture.

The conversation will be in English with translation for Farida Benylazid.

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Singapore's Islamic Pasts: Alexanders in an Island Below the Winds
Oct
14
5:00 PM17:00

Singapore's Islamic Pasts: Alexanders in an Island Below the Winds

This event has been postponed. Details about the rescheduled date and further information will be shared soon.

Join Professor Sevea Teran, Prince Alwaleed Bin Talal Associate Professor of Islamic Studies at Harvard University, to discuss his essay Singapore’s Islamic Pasts: Alexanders in an Island Below the Winds, which explores Singapore’s first Islamic king, Iskandar Sahib, a descendant of the pre-Qur’anic prophet Iskandar Dhu al-Qarnayn. The essay traces the thirteenth-century Alexandrian-Abrahamic dynasty through Malay chronicles and oral histories, focusing on Singapore’s Islamic ‘Alexanders’ and the role of both Sufi masters and everyday community members in preserving these histories.

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Tracing Bodies & Spaces: Art & Activism in South Kurdistan
Oct
10
12:00 PM12:00

Tracing Bodies & Spaces: Art & Activism in South Kurdistan

Date: Thursday, October 10

Time: Noon- 1:30 PM

Location: Online

This event will bring together feminist writers, artists, curators and academics who work in the context of South Kurdistan. In their conversation they will centre the question of how artists and activists in the region address issues around body politics, religious conservatism and intimacy.

Particularly since 2014 and the onslaught of ISIS (or daesh), artists have been chronicling the ways in which women’s bodies are being used as a battlefield between competing religious, political and cultural actors. Disillusioned with party politics, women’s NGOs or foreign donor agendas, a new generation of creatives are curating their own exhibitions, cinema clubs, and reading groups. These initiatives to date remain small, local, self-funded and transient, yet they mark a major shift towards a diversification of spaces for critical engagement and imagining a Kurdistan “otherwise”.

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The Adab Colloquium with Austin O'Malley: The Poetics of Spiritual Instructio
Sep
27
11:00 AM11:00

The Adab Colloquium with Austin O'Malley: The Poetics of Spiritual Instructio

THE POETICS OF SPIRITUAL INSTRUCTION

Date: Friday, September 27

Time: 11:00 AM-12:30 PM

Location: Online

Join Austin O’Malley as he discusses his new book, The Poetics of Spiritual Instruction, a study that explores the performative role of didactic poetry through the narrative verse of Farid al-Din ʿAttar. O'Malley highlights how ʿAttar employed frame-tales, meta-poetic commentary, and allegories to engage readers and assert his instructive authority. The book sheds light on the interactive, participatory nature of Sufi didacticism, revealing how reading was understood as a spiritual exercise, imbued with ritual significance aimed at purifying the soul.

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Monuments Decolonized: Algeria's French Colonial Heritage
Sep
18
6:00 PM18:00

Monuments Decolonized: Algeria's French Colonial Heritage

Date: Wednesday, September 18

Time: 6:00 - 7:30 PM

Location: East Gallery, Maison Française, Buell Hall

Join Susan Slyomovics to discuss her book, Monuments Decolonized: Algeria's French Colonial Heritage  

"Statuomania" overtook Algeria beginning in the nineteenth century as the French affinity for monuments placed thousands of war memorials across the French colony. But following Algeria's hard-fought independence in 1962, these monuments took on different meaning and some were "repatriated" to France, legally or clandestinely. Today, in both Algeria and France, people are moving and removing, vandalizing and preserving this contested, yet shared monumental heritage. 

In her book, Susan Slyomovics follows the afterlives of French-built war memorials in Algeria and those taken to France. Drawing on extensive fieldwork and interviews in both countries, she analyzes the colonial nostalgia, dissonant heritage, and ongoing decolonization and iconoclasm of these works of art. Her book offers a fresh aesthetic take on the increasingly global move to fell monuments that celebrate settler colonial histories.

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